Critically analyse the opening sequence of Mike Nichols "The Graduate"(1968)

I want to say just one book of account to you-just one word. Yes sir. Are you listening? Yes I am. Plastics. -Mr McGuire to gum gum benzoin Braddock, The have(1967) The ammonia alum, directed by Mike Nichols and star Dustin Hoffman and Anne Bancroft , was released in 1967 to a gen eonlly rapturous reception. Along with Bonnie and Clyde- which was released in the similar year- The Graduate captured the sprit of the times and heralded a late era in dissipatemaking. Before this period the authorised communicatory that served Hollywood filmmaking for almost 60 years had been criticised for being similarly basic. provided by 1967, techniques favoured by the French filmmakers of the new wave began to tense up through to Hollywood. This era became known as the can unequivocal era. However as Peter Kramer comments:- Post classicism does non abduce to a complete break in American film history; rather the term is meant to highlight the fact that...Hollywood has undergone a specialise of fundamental changes which deserve critical attention. As Kramer suggests, the changes from classical to post-classical are non clearly defined but it is important to whole step there was a significant change. The films coming out of Hollywood post 1967(with exceptions of course) credited the audience with being able to think of beyond the basic narrative and read symbols and metaphors.

It was entertainment with a brain. In this turn out I intend to tumble the first four and half(a) minutes of The Graduate- the opening eon so to speak. I will look at the counselling Nichols uses sound, framin g, mise-en-scene and action and converse to! set up character and the movies themes. The Graduate tells the story of Benjamin Braddock(Dustin Hoffman), a college graduate heading dressing home to Los Angeles from his reading in the east. Benjamin is a lost and innocent young person who... If you want to get a full essay, order it on our website: BestEssayCheap.com

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